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    <loc>https://www.gatherer.media/writing/volatile-afterimages-the-videotaped-beating-of-rodney-king</loc>
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    <lastmod>2021-10-19</lastmod>
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      <image:title>Writing - Volatile afterimages: the videotaped beating of Rodney King - Make it stand out</image:title>
      <image:caption>FBI report | George Holliday with his SONY Handycam CCD-F77 | Original photograph John T. Barr/Gamma-Liasion</image:caption>
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      <image:title>Writing - Volatile afterimages: the videotaped beating of Rodney King - Make it stand out</image:title>
      <image:caption>The Videotaped Beating of Rodney King in situ, ACMI Story of the Moving Image, Federation Square Melbourne.</image:caption>
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      <image:title>Writing - Volatile afterimages: the videotaped beating of Rodney King - Make it stand out</image:title>
      <image:caption>A still taking from the FBI analysis of the Rodney King beating. Courtesy Prelinger Archives.</image:caption>
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      <image:title>Writing - Volatile afterimages: the videotaped beating of Rodney King - Make it stand out</image:title>
      <image:caption>The FBI enlisted state of the art computer technology to analyse the beating of King by LAPD officers.</image:caption>
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      <image:title>Writing - Volatile afterimages: the videotaped beating of Rodney King - Make it stand out</image:title>
      <image:caption>Theodore Briseno, one of four LAPD officers on trial for the beating of Rodney King, stands before George Holliday’s video in a courtroom.</image:caption>
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      <image:title>Writing - Volatile afterimages: the videotaped beating of Rodney King - Make it stand out</image:title>
      <image:caption>George Holliday with Sony Handicam on the balcony of his Foothill Terrace Boulevard apartment in 1991 (still from KTLA-5 News)</image:caption>
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    <loc>https://www.gatherer.media/writing/digital-stasis-the-september-11-footage-orphaned-to-youtube</loc>
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    <priority>0.5</priority>
    <lastmod>2021-09-15</lastmod>
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      <image:title>Writing - Digital stasis: the September 11 footage orphaned to YouTube - Make it stand out</image:title>
      <image:caption>Video still of United Airlines Flight 175 on the morning of September 11, 2001</image:caption>
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  <url>
    <loc>https://www.gatherer.media/writing/buxton-contemporary-opens-in-melbournes-southbank-arts-precinct</loc>
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    <priority>0.5</priority>
    <lastmod>2021-08-16</lastmod>
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      <image:title>Writing - A$10M Buxton Contemporary opens in Melbourne’s Southbank arts precinct</image:title>
      <image:caption>Image supplied</image:caption>
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      <image:title>Writing - A$10M Buxton Contemporary opens in Melbourne’s Southbank arts precinct</image:title>
      <image:caption>Nicholas Mangan Dowiyogo’s Ancient Coral Coffee Table, 2010 (image supplied)</image:caption>
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      <image:title>Writing - A$10M Buxton Contemporary opens in Melbourne’s Southbank arts precinct</image:title>
      <image:caption>Buxton Contemporary (image supplied)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6021a6f1ac267940994e5804/1615073223179-F5FS7EV14MXKMTOIEK22/BuxtonContemporary__6243.jpg</image:loc>
      <image:title>Writing - A$10M Buxton Contemporary opens in Melbourne’s Southbank arts precinct</image:title>
      <image:caption>Buxton Contemporary (image supplied)</image:caption>
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    <image:image>
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      <image:title>Writing - A$10M Buxton Contemporary opens in Melbourne’s Southbank arts precinct</image:title>
      <image:caption>Buxton Contemporary (image supplied)</image:caption>
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  <url>
    <loc>https://www.gatherer.media/writing/graffiti-art-of-the-tag</loc>
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    <lastmod>2021-02-24</lastmod>
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      <image:title>Writing - Graffiti: Art of the tag</image:title>
      <image:caption>"Bald", a graffiti writer, in an abandoned factory in Melbourne's west. Photo: Allissa Oughtred.</image:caption>
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      <image:title>Writing - Graffiti: Art of the tag</image:title>
      <image:caption>Tags adorn a lock-up garage in the Melbourne suburb of Balaclava. Photo: Allissa Oughtred.</image:caption>
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      <image:title>Writing - Graffiti: Art of the tag</image:title>
      <image:caption>Paul, a graffiti artist from Melbourne’s east, walks down an alleyway. Photo:Allissa Oughtred.</image:caption>
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      <image:title>Writing - Graffiti: Art of the tag</image:title>
      <image:caption>A two colour tag by the late SINCH in the Melbourne suburb of Balaclava. Photo: Allissa Oughtred.</image:caption>
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    <image:image>
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      <image:title>Writing - Graffiti: Art of the tag</image:title>
      <image:caption>A city of Yarra employee removes tags from a shopfront in Collingwood, Victoria. Photo: Allissa Oughtred.</image:caption>
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    <image:image>
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      <image:title>Writing - Graffiti: Art of the tag</image:title>
      <image:caption>A graffiti writer in an abandoned Hitachi train in Melbourne's West. Photo: Allissa Oughtred.</image:caption>
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    <image:image>
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      <image:title>Writing - Graffiti: Art of the tag</image:title>
      <image:caption>'Jokes', a graffiti artist from Melbourne's West. Photo: Allissa Oughtred.</image:caption>
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    <image:image>
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      <image:title>Writing - Graffiti: Art of the tag</image:title>
      <image:caption>A fence with tags in the Melbourne suburb of Balaclava. Photo: Allissa Oughtred</image:caption>
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  <url>
    <loc>https://www.gatherer.media/writing/howard-arkleys-lust-for-suburban-life</loc>
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    <priority>0.5</priority>
    <lastmod>2021-09-17</lastmod>
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      <image:title>Writing - Howard Arkley's lust for suburban life - Make it stand out</image:title>
      <image:caption>Howard Arkley in front of one of the houses he painted in his House and Homes series, 1988.(Supplied: Martin Kantor)</image:caption>
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      <image:title>Writing - Howard Arkley's lust for suburban life - Make it stand out</image:title>
      <image:caption>Howard Arkley: Theatrical Facade, 1996: synthetic polymer paint on canvas (203 x 153cm). Supplied: The Estate of Howard Arkley. Courtesy Kalli Rolfe Contemporary Art</image:caption>
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      <image:title>Writing - Howard Arkley's lust for suburban life - Make it stand out</image:title>
      <image:caption>Howard Arkley: Zappo Head, 1987: synthetic polymer paint on canvas (182.5 x 168cm). Bendigo Art Gallery, Victoria. (Supplied: The Estate of Howard Arkley. Courtesy Kalli Rolfe Contemporary Art)</image:caption>
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  <url>
    <loc>https://www.gatherer.media/writing/shirow-bfw2n</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-02-13</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6021a6f1ac267940994e5804/1613187959857-JID8JQ6W29NCYOJOLXBF/2014+Adelaide+Fringe+-+A+Simple+Space+by+Gravity+and+Other+Myths.jpg</image:loc>
      <image:title>Writing - 2014 Adelaide Fringe - A Simple Space by Gravity and Other Myths</image:title>
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  <url>
    <loc>https://www.gatherer.media/writing/philip-brophy-art-sex-and-psychosis</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-02-22</lastmod>
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      <image:title>Writing - Philip Brophy: art, sex and psychosis</image:title>
      <image:caption>Frames from Colour Me Dead—Chapter 5: The Hungry Vagina, 2013 synchronized high-definition animation displayed on 3 monitors, sound, 6 minutes © Courtesy the artist and Anna Schwartz Gallery</image:caption>
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  <url>
    <loc>https://www.gatherer.media/writing/monas-the-red-queen-art-as-an-evolutionary-advantage</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-02-22</lastmod>
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      <image:title>Writing - MONA’s The Red Queen: Art as an evolutionary advantage</image:title>
      <image:caption>Zhang Huan, Berlin Buddha 2007 (Image supplied)</image:caption>
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  <url>
    <loc>https://www.gatherer.media/writing/doug-rickard-a-new-american-picture</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-02-13</lastmod>
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      <image:title>Writing - A New American Picture: Doug Rickard's Google Street View road-trip</image:title>
      <image:caption>Doug Rickard From the series A New American Picture #40.805716, New York City, NY. 2009. 2011 Archival Pigment Print © Doug Rickard, Courtesy Yossi Milo Gallery, New York</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6021a6f1ac267940994e5804/1613199694855-GXXEHXNIQNXZY9YWFH44/A-New-American-Picture-Doug-Rickard%2382.948842%2C+Detroit%2C+MI+%282009%29%2C+2010.jpg</image:loc>
      <image:title>Writing - A New American Picture: Doug Rickard's Google Street View road-trip</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6021a6f1ac267940994e5804/1613199603445-RWAKLKSICJB455ID2Y99/A-New-American-Picture-Doug-Rickard%2329.942566%2C+New+Orleans%2C+LA+%282008%29%2C+2009.jpg</image:loc>
      <image:title>Writing - A New American Picture: Doug Rickard's Google Street View road-trip</image:title>
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    <image:image>
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      <image:title>Writing - A New American Picture: Doug Rickard's Google Street View road-trip</image:title>
      <image:caption>Doug Rickard From the series A New American Picture #96.749058, Dallas, TX (2008), 2010 Archival Pigment Print © Doug Rickard, Courtesy Yossi Milo Gallery, New York Doug Rickard's A New American Picture is on show alongside the work the late Tim Heatherington's Afghanistan from 22 May to 22 June at Sydney's Stills Gallery, 36 Gosbell St, Paddington, in association with Yossi Milo Gallery New York and the Head On Photo Festival.</image:caption>
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  <url>
    <loc>https://www.gatherer.media/writing/choreographer-antony-hamiltons-black-series-defies-context</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-02-21</lastmod>
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      <image:title>Writing - Antony Hamilton's black series defies context</image:title>
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  <url>
    <loc>https://www.gatherer.media/writing/henri-cartier-bressons-surrealist-education-and-the-making-of-modern-photojournalism</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-02-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6021a6f1ac267940994e5804/1613948849296-6KUWD6TZ57E56HJV504Z/Henri-cartier-bresson-portrait-image-supplied.jpg</image:loc>
      <image:title>Writing - Henri Cartier-Bresson’s surrealist education and the making of modern photojournalism</image:title>
      <image:caption>Portrait of Henri Cartier-Bresson (image supplied)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6021a6f1ac267940994e5804/1613948234996-1HQQPXUDNM2NJ3ON8KB8/Eug%C3%A8ne_Atget_-_L%27%C3%89clipse%2C_avril_1912.jpg</image:loc>
      <image:title>Writing - Henri Cartier-Bresson’s surrealist education and the making of modern photojournalism</image:title>
      <image:caption>Eugene Atget Pendant l'Eclipse, 1912</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6021a6f1ac267940994e5804/1613949162827-XORCYL930YOILBFUG1V3/Eug%C3%A8ne_Atget_-_Magasin%2C_Avenue_des_Gobelins_790px.jpg</image:loc>
      <image:title>Writing - Henri Cartier-Bresson’s surrealist education and the making of modern photojournalism</image:title>
      <image:caption>Eugène Atget, Magasin, Avenue des Gobelins, 1927</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6021a6f1ac267940994e5804/1613951850006-UGQEQMUD974Z230CP168/Martin_Munkacsi_Three_Boys_at_Lake_Tanganyika_1929-30.jpg</image:loc>
      <image:title>Writing - Henri Cartier-Bresson’s surrealist education and the making of modern photojournalism</image:title>
      <image:caption>Martin Munkacsi Three Boys at Lake Tanganyika, 1929-30</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6021a6f1ac267940994e5804/1613952061804-4ULHHAMI801S7B9BVFTC/Henri_Cartier-Bresson_Arsila_Spanish_Morocco_1933.jpg</image:loc>
      <image:title>Writing - Henri Cartier-Bresson’s surrealist education and the making of modern photojournalism</image:title>
      <image:caption>Henri Cartier-Bresson Arsila, Spanish Morocco, 1933</image:caption>
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  </url>
  <url>
    <loc>https://www.gatherer.media/writing/ijuhivgmiqyzt7izjyz9op5db6p0zu</loc>
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    <priority>0.5</priority>
    <lastmod>2021-08-16</lastmod>
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      <image:title>Writing - In Focus: The first photo shoot and the invention of fashion photography - Make it stand out</image:title>
      <image:caption>Edward J. Steichan, editorial for Art et Decoration magazine (1911)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6021a6f1ac267940994e5804/1629154277039-ICP27OE8W0WPAKL7LSW8/Edward_J_Steichen_Wind_Fire_Therese_Duncan_on_the_Acropolis_1921.jpg</image:loc>
      <image:title>Writing - In Focus: The first photo shoot and the invention of fashion photography - Make it stand out</image:title>
      <image:caption>Edward J. Steichen Wind Fire -Therese Duncan on the Acropolis (1921)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6021a6f1ac267940994e5804/1629154601307-OB9Q6CYBX5SCSQN2NXRQ/Herbert_Tobias_und_neues_Leben_protzt_aus_den_Ruinen_1955.jpg</image:loc>
      <image:title>Writing - In Focus: The first photo shoot and the invention of fashion photography - Make it stand out</image:title>
      <image:caption>Herbert Tobias, ..und neues Leben protzt aus den Ruinen, (1955)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6021a6f1ac267940994e5804/1629154688446-YECXEP50C96PMJC2GIO5/FC_Gundlach_Op_art_badeanzug_von_sinz_1966.jpg</image:loc>
      <image:title>Writing - In Focus: The first photo shoot and the invention of fashion photography - Make it stand out</image:title>
      <image:caption>F.C. Gundlach, Op art badeanzug von sinz, (1966)</image:caption>
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      <image:title>About - Tim Stone PRODUCER / WRITER / DIRECTOR / FIRE-STARTER</image:title>
      <image:caption>Tim Stone is a documentary filmmaker, content producer and broadcast journalist with an extensive knowledge of both television and digital production. His documentaries, short films and comedy series have screened at a number of prestigious film festivals around the world including Cannes Court Metrage in France, Raindance Film Festival in London and the 3rd Annual Streamys in Los Angeles. His 2015 graffiti documentary: Thrill + Fury: the Art of the Tag is sold by ABC Commercial and in 2017 screened at Tag - Name Writing in Public Space a global graffiti conference in Berlin. Stone has produced four documentary series for the ABC: Curators; Cave Clan; Thrill + Fury: The Art of the Tag; Golden Age of Piracy. As a journalist Stone has interviewed some of the world's leading art figures: Hermann Nitsch, Marina Abramovic, Vito Acconci (deceased), Joseph Kosuth, Tracey Moffatt, Douglas Gordon, Ryan Gander and many more. As a broadcast journalist he has produced television for ABC News, News Breakfast and the ABC's weekly culture show The Mix. He has reported on everything from the demise of suburban video stores to the opening of the 2017 Venice Biennale in Italy. As digital strategist he has managed campaigns for the ABC's leading digital offerings and biggest entertainment properties; from channels ABC iview, News 24 and ABC ME (ABC3), to Chris Lilley's Angry Boys, The Chaser and The Librarians. Stone is a highly-experienced Google Adwords and CPM display advertising specialist.  Stone has a proven track record of explaining complex ideas to the widest possible audience across journalism, documentary and digital marketing.</image:caption>
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      <image:title>About - Aya Hatano CREATIVE PRODUCER / EDITOR / VIDEO ARTIST / GRAPHICS / CAVE PAINTER</image:title>
      <image:caption>Aya Hatano is a video artist and animator with a passion for telling great stories. Combining archival material, animation and motion graphics, Hatano has successfully applied her creative thinking and design skills to collaborations with artists, curators cultural institutions across the globe. Hatano has extensive experience working with artists, museums and institutions across a range of multimedia and video projects. From interactive touch panel displays, digital installations and documentaries to projection mapping video onto Melbourne’s Royal Exhibition Building. As a motion graphics designer for film and television, Hatano has produced a diverse range of screen graphics for broadcast. From title design for documentaries and educational programs to animation sequences and onscreen graphics for documentaries and television series. Throughout her career Hatano has produced numerous short documentary series and one-offs for museums, galleries and film festival screenings. In 2019 Hatano co-produced and narrated Through Samurai Eyes a one-hour radio documentary for ABC Radio National’s The History Listen podcast, and in 2014 co-produced the Japanese-language short documentary Looking for Rubbish about 93-year-old Osaka-based Toyoji Hatano and his extraordinary daily routine.</image:caption>
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      <image:title>About - Michael Brain PRODUCER / PRODUCTION MANAGER / DIRECTOR OF PHOTOGRAPHY</image:title>
      <image:caption>Michael is a producer, production manager and director of photography with over 25 years experience working across film, television, art and theatre productions in Europe and Australia. Starting out as a member of Melbourne's Super 8 filmmaking community in the late 1990s, Michael has a track record of working within budget and short time frames to deliver outstanding results. Based in Berlin from 2013 to 2021, Michael collaborated with a diverse range of artists and musicians, including techno legends Pan Pot and independent researcher and artist Portrait XO (winner of Eurovision's AI music contest). Between 2015 and 2020, Michael produced two dozen educational films for the prestigious International Baccalaureate, followed closely by a series of promotional spots filmed over two years across Europe for 3D printing software innovators 3yourmind. Since his return to Australia, Michael has worked as a producer and production manager for Gatherer Media. Supporting the production of a diverse range of documentary work and art projects, including a documentary for the Banking Museum for ANZ Gothic (2024), Blak Design for Koorie Heritage Trust, The History of Pop for MAPCO (2023) , Wartime Stories from the Exhibition Buildings for Museums Victoria (2021) and Midnight at Pink Lake (2022) - a 360 degree video projection in collaboration with musical act The Orbweavers (as part of Art Up Late festival at the State Library of Victoria).</image:caption>
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      <image:caption>Tebajima island, in Japan's Seto inland sea (supplied)</image:caption>
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      <image:caption>An illustrated account of the arrival of a foreign ship, Hamaguchi Kanzaemon (1830), image courtesy of the Tokushima Prefectural Archives</image:caption>
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      <image:caption>Panorama of Hobart c.1825 by Augustus Earle. The Cyprus brig is the double mast vessel second left (FL3233426 State Library NSW)</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Live Streaming - Jeremy Deller: Father and Son - ACCA - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6021a6f1ac267940994e5804/82c1a254-fbb8-41f2-a60f-3a7a2c676116/Jeremy+Deller+1_sm.jpg</image:loc>
      <image:title>Live Streaming - Jeremy Deller: Father and Son - ACCA - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6021a6f1ac267940994e5804/3bc88a7d-ad1e-409c-96e4-60c4cf9f525c/Jeremy+Deller+2_sm.jpg</image:loc>
      <image:title>Live Streaming - Jeremy Deller: Father and Son - ACCA - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Live Streaming - Venice Biennale 2022: Australian Pavilion - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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